10 August 2017
Positioned in unusual places, the brooches from Hermès and Jieun Kim corkscrew, gather and smock the fabric in a somewhat poetic way. By way of anecdote, Jieun Kim produced the small golden metal hand in 2015 for the “Unpinned” exhibition at the Foundling Museum, a former orphanage in London. Infinitely touching, “it represents the hand of a child desperately clinging to her mother’s clothes,” says the young designer.
The glass cocoon by Agathe Saint-Girons in the “Medusa” exhibition
Barbara Langendijk and Noon Passama
Beyond aesthetics, Christopher Esber believes in the positive virtues that certain crystals worn directly on the skin possess.
Botter, the Dutch creative duo made up of Lisi Herrebrugh and Rushemy Botter have turned colorful little cars into jewelry.
In this issue we offer a non-exhaustive overview of pieces heralding these new jewelry values.
On “Wing Shop” the new e-shop of Noor Fares, you can entirely customize the “Fly Me to the Moon” earrings.
The positive values initiated by Léon Rouvenat, almost two centuries on, are modernized.
During the conference organized by the jeweler L’Or du Monde (pioneers in the use of recycled gold), the Systext association painted an apocalyptic picture...