19 September 2017
A necklace by this young British designer recently entered one of the world’s most glittering collections: the London museum’s jewellery gallery. This contains some 3,500 pieces dating from the Middle Ages to the present day, including diamonds worn by Catherine the Great of Russia, the emeralds of Joséphine de Beauharnais, Lady Mountbatten’s “Tutti Frutti” bandeau and a 17th century Norwegian bridal crown. The V&A only accepts jewellery of the first water, clearly! It has to represent a particular style, period or technical feat – like this piece, consisting of stems and flowers cut from thin gold leaf linked with filaments, also in gold. It then takes on an aura with a wholly different dimension, as part of the panorama of history.
Beyond aesthetics, Christopher Esber believes in the positive virtues that certain crystals worn directly on the skin possess.
Botter, the Dutch creative duo made up of Lisi Herrebrugh and Rushemy Botter have turned colorful little cars into jewelry.
In this issue we offer a non-exhaustive overview of pieces heralding these new jewelry values.
On “Wing Shop” the new e-shop of Noor Fares, you can entirely customize the “Fly Me to the Moon” earrings.
The positive values initiated by Léon Rouvenat, almost two centuries on, are modernized.
During the conference organized by the jeweler L’Or du Monde (pioneers in the use of recycled gold), the Systext association painted an apocalyptic picture...