{"id":10352,"date":"2017-05-31T00:01:42","date_gmt":"2017-05-30T22:01:42","guid":{"rendered":"https:\/\/thefrenchjewelrypost.com\/\/nanna-melland-in-the-%e2%80%9cmedusa%e2%80%9d-exhibition"},"modified":"2026-02-04T21:02:30","modified_gmt":"2026-02-04T20:02:30","slug":"nanna-melland-in-the-%e2%80%9cmedusa%e2%80%9d-exhibition","status":"publish","type":"saviez-vous","link":"https:\/\/thefrenchjewelrypost.com\/en\/saviez-vous\/nanna-melland-in-the-%e2%80%9cmedusa%e2%80%9d-exhibition\/","title":{"rendered":"Nail clipping necklace in the \u201cMedusa\u201d exhibition"},"content":{"rendered":"<p><span lang=\"en-US\">The <a href=\"\/\/thefrenchjewelrypost.com\/en\/style\/medusa-jewellery-and-taboos-the-installation\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u201cMedusa\u201d exhibition<\/a> provides the opportunity to meet contemporary designers and artists whose pieces question or disturb, like the Norwegian <a href=\"http:\/\/www.nannamelland.com\/site\/project.php?id=5\" target=\"_blank\" rel=\"noopener noreferrer\">Nanna Melland<\/a>. At first glance her \u201cDecadence\u201d necklace, formed by an accumulation of beautiful gold leaves strung on a red string, appears delightful. In fact, it\u2019s her nail clippings collected in the early 2000s sublimated in gold. Nanna Melland is part of the 1970s process of recovering \u201cinfamous\u201d materials. Between fascination and revulsion, she experiments with notions of beauty and questions its relationship to the body.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The \u201cMedusa\u201d exhibition provides the opportunity to meet contemporary designers and artists whose pieces question or disturb, like the Norwegian Nanna Melland. At first glance her \u201cDecadence\u201d necklace, formed by an accumulation of beautiful gold leaves strung on a red string, appears delightful. In fact, it\u2019s her nail clippings collected in the early 2000s sublimated [&hellip;]<\/p>\n","protected":false},"featured_media":10350,"template":"","tags":[2111,128],"class_list":["post-10352","saviez-vous","type-saviez-vous","status-publish","has-post-thumbnail","hentry","tag-contemporary-jewelry","tag-medusa-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Nail clipping necklace in the \u201cMedusa\u201d exhibition - The French Jewelry Post by Sandrine Merle<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thefrenchjewelrypost.com\/en\/saviez-vous\/nanna-melland-in-the-%e2%80%9cmedusa%e2%80%9d-exhibition\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nail clipping necklace in the \u201cMedusa\u201d exhibition - The French Jewelry Post by Sandrine Merle\" \/>\n<meta property=\"og:description\" content=\"The \u201cMedusa\u201d exhibition provides the opportunity to meet contemporary designers and artists whose pieces question or disturb, like the Norwegian Nanna Melland. At first glance her \u201cDecadence\u201d necklace, formed by an accumulation of beautiful gold leaves strung on a red string, appears delightful. 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