{"id":39079,"date":"2026-06-30T21:26:56","date_gmt":"2026-06-30T19:26:56","guid":{"rendered":"https:\/\/thefrenchjewelrypost.com\/?post_type=mon-agenda&#038;p=39079"},"modified":"2026-07-21T17:35:33","modified_gmt":"2026-07-21T15:35:33","slug":"exclusive-preview-of-parcours-bijoux-2026-programme","status":"publish","type":"mon-agenda","link":"https:\/\/thefrenchjewelrypost.com\/en\/mon-agenda\/exclusive-preview-of-parcours-bijoux-2026-programme\/","title":{"rendered":"An exclusive preview of the Parcours Bijoux 2026 programme"},"content":{"rendered":"<div>\n<div data-testid=\"writing-block-header-sticky-container\">\n<div data-testid=\"writing-block-header-surface\">\n<div aria-hidden=\"true\" data-writing-block-fullscreen-header-surface=\"true\">\n<p>TFJP is a partner of Parcours Bijoux 2026, the Paris triennial dedicated to contemporary jewelry. This particularly promising edition, running from 1 to 31 October, will feature some fifty exhibitions and events exploring themes deeply rooted in the major concerns of our time. Here are a few thematic paths to help you plan your itinerary.<\/p>\n<p>By Sandrine Merle.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>The exhibitions will trace a cultural route between the Right Bank and the Left Bank, from the Marais to Saint-Germain-des-Pr\u00e9s, via the 8th arrondissement, in venues that are emblematic, prestigious or unexpected: Sotheby\u2019s, Galerie MiniMasterpiece, the Palais Galliera fashion museum, the Mexican Cultural Institute and Galerie Negropontes, among others.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><strong>In Praise of Matter<\/strong><\/p>\n<div>\n<div data-testid=\"writing-block-header-sticky-container\">\n<div data-testid=\"writing-block-header-surface\">\n<div aria-hidden=\"true\" data-writing-block-fullscreen-header-surface=\"true\">\n<p>One of contemporary jewelry\u2019s favourite themes runs throughout the programme: the use of so-called \u201chumble\u201d materials. Here, jewelry is no longer defined only by gold or gemstones, but by its sensory, ecological or memorial charge. <em>Compostable<\/em> presents fragile jewels made from hair, mother-of-pearl and sand, conceived to return to the earth. With <em>Spirals. Values and Meanings<\/em>, the artist Olga gives new presence to objects \u2014 zips, metallic sponges, colanders and bolts \u2014 that might otherwise seem devoid of aesthetic value. The ancient and highly demanding practice of enamel, explored in <em>Colour as Matter: Enamel in Canada<\/em>, reminds us of the slowness of the creative process: the need to fire and re-fire before achieving a perfectly smooth and luminous surface. This reflection finds a particular echo in <em>Japan \u2014 Stillness and Substance<\/em>, which I have the honor of curating. Wood, lacquer, silk, plant fibres and paper are not simply supports here: they form the very heart of the jewel. Charged with memory, symbols and sensations, matter dictates both form and gesture.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Perspectives on Japan<\/strong><\/p>\n<p>A second theme focuses on Japan, which occupies a prominent place in this edition of Parcours Bijoux 2026. Alongside\u00a0<em>Japan \u2014 Stillness and Substance<\/em>, two other exhibitions explore this subject. In<em> Japans Imagined<\/em>, Sophie Hanagarth, Brune Boyer and the photographer Graziella Antonini bring together jewelry, objects and images to set their experiments and discoveries against a Japanese culture that is at once past and present, popular and scholarly. In <em>Vanishing Points<\/em>, Virginie Blajberg and Andrea Pi\u00f1eros share the experience of a first journey to Japan, while retaining very different impressions: memory, identity and images of the past for one; nature, geometry and contrasts for the other. This dialogue continues at Elemento school, where Andrea Pi\u00f1eros is organising a workshop with the Japanese metalsmith Kimiaki Kageyama.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Solo Exhibitions<\/strong><\/p>\n<p>Two solo exhibitions are essential. The first is presented by Esther de Beauc\u00e9 at Galerie MiniMasterpiece and is devoted to the designer and visual artist Pierre Charpin. Known for his work in object and furniture design, he presents Kuluba, a jewel inspired by a drawing made with a black felt-tip pen on ordinary paper, \u201clike those one might make spontaneously during long telephone conversations: an arrangement of small squares and rectangles of varying sizes, placed edge to edge, forming an irregular grid that generates its own outline within an almost oblong shape.\u201d The second, organised by galerist Amira Sliman, pays tribute to the little-known Hungarian artist Suzanne Somogyil. It is time to rediscover her powerful pieces, characterized by geometric forms in Plexiglas, aluminium, enamel and cut pebbles, which she exhibited in the 1970s alongside Jean Vendome and Jean Dinh Van.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>When No One Creates Alone<\/strong><\/p>\n<p>Another theme in this edition focuses on collective creation, when jewellery emerges from a bond, a circulation, a dialogue. Collaboration may take the form of a duo, as in\u00a0<em>Lines and Links Paris Berlin<\/em>, or in\u00a0<em>Duo<\/em>\u00a0at Galerie Negropontes, where Agn\u00e8s Baillon combines her resin cameos with \u00c9ric de Dormael\u2019s light structures in gilded brass to create unprecedented ex-votos. In\u00a0<em>Where Art Meets the Eye<\/em>, creation is a four-handed process: those of a goldsmith and an ophthalmologist, both designers, Gabri Schumacher and Evi Bakker. Drawing directly on anatomical structures and ophthalmological concepts, they question the way we see, perceive and are observed. With six artists, the logic of the collective becomes a true circulation.\u00a0<em>Le Voyage amical, a Franco-Swiss escapade<\/em> bringing together Marianne Anselin, Julie Usel, Claire Wolfstirn and others, is based on a principle of response: each piece by one artist sparks an idea in another. In this collaboration conceived as a strategy of the living, the artists draw inspiration from plants and seeds, which invent forms, colors, lures and fruits in order to enter into relation with other beings and reproduce. This dynamic expands further with <em>A Pool in the Ocean<\/em>, where sixteen artists each create two jewels in pairs. Individuality does not disappear; it becomes part of a shared movement, in which each gesture extends another.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Talks, Symposiums and Performances<\/strong><\/p>\n<p>Parcours Bijoux also extends the reflections opened by the exhibitions through several events. A performance runway show will be presented in the basement of the Palais Galliera. Over two days, the scientific symposium jewelry, an <em>Art Whose Matter Is the Body (20th\u201321st Century)<\/em> will bring together doctoral students, researchers from various disciplines, artists and professionals. At the Mus\u00e9e des Arts D\u00e9coratifs, gallerist Noel Guyomac\u2019h will give a talk in connection with his exhibition <em>Colour as Matter: Enamel in Canada<\/em>, while historian Mich\u00e8le Heuz\u00e9 will invite audiences to explore humour in jewelry. As for me, I will have the great honour and pleasure of welcoming the artists Aya Iwata, Mariko Sumioka and Shinji Nakaba for the conference <em>Japan \u2014 <\/em><i>Stillness<\/i> &amp; <em>Substance<\/em> at Sotheby\u2019s. Not to be missed, just before the opening of the exhibition of the same name.<\/p>\n<p>&nbsp;<\/p>\n<p>For Andrea Pi\u00f1eros, president of the association D\u2019un Bijou \u00e0 l\u2019Autre, which organises Parcours Bijoux, \u201cthis momentum remains fragile: artists often bear a significant economic burden alone, while institutions are becoming increasingly difficult to mobilise. Fortunately, contemporary jewellery is also supported by a new generation capable of communicating differently, particularly in order to distinguish itself from the major houses.\u201d Parcours Bijoux 2026, a much-awaited event among insiders, is one of the rare places where singular and surprising creation can express itself with complete freedom.<\/p>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p class=\"isSelectedEnd\"><a href=\"https:\/\/www.parcoursbijoux.com\" target=\"_blank\" rel=\"noopener\">Discover the Parcours Bijoux 2026 programme.<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>To find out more about Parcours Bijoux and contemporary jewelry:<\/p>\n<p><a href=\"https:\/\/thefrenchjewelrypost.com\/en\/mon-agenda\/parcours-bijoux-2023-paris-the-french-jewelry-post\/\" target=\"_blank\" rel=\"noopener\">My Parcours Bijoux 2023<\/a><\/p>\n<p><a href=\"https:\/\/thefrenchjewelrypost.com\/en\/style\/history-contemporary-jewelry\/\" target=\"_blank\" rel=\"noopener\">Questions about contemporary jewelry<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The exhibitions will trace a cultural route between the Right Bank and the Left Bank, from the Marais to Saint-Germain-des-Pr\u00e9s, via the 8th arrondissement, in venues that are emblematic, prestigious or unexpected: Sotheby\u2019s, Galerie MiniMasterpiece, the Palais Galliera fashion museum, the Mexican Cultural Institute and Galerie Negropontes, among others.<\/p>\n","protected":false},"featured_media":39078,"template":"","tags":[2111],"class_list":["post-39079","mon-agenda","type-mon-agenda","status-publish","has-post-thumbnail","hentry","tag-contemporary-jewelry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - 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