{"id":14524,"date":"2018-03-07T00:10:52","date_gmt":"2018-03-06T23:10:52","guid":{"rendered":"https:\/\/thefrenchjewelrypost.com\/\/?post_type=it-joailliers&#038;p=14524"},"modified":"2023-08-28T11:04:22","modified_gmt":"2023-08-28T10:04:22","slug":"jewelry-museum-vicenza","status":"publish","type":"it-joailliers","link":"https:\/\/thefrenchjewelrypost.com\/en\/it-joailliers\/jewelry-museum-vicenza\/","title":{"rendered":"Vicenza&#8217;s jewelry museum"},"content":{"rendered":"<p>You&#8217;d think there would be a plethora of museums like this one, entirely devoted to jewelry. But that&#8217;s not the case.\u00a0We talk to its founder and director Alba Cappellieri.<\/p>\n<p>&nbsp;<\/p>\n<p>The <a href=\"https:\/\/www.museodelgioiello.it\/en\" target=\"_blank\" rel=\"noopener\">Vicenza&#8217;s jewelry museum<\/a>, which opened in 2014, is one of the few in the world wholly made over to jewelry, like the ones in <a href=\"https:\/\/thefrenchjewelrypost.com\/en\/it-joailliers\/voyage-ethno-joaillier-au-world-jewellery-museum\/\" target=\"_blank\" rel=\"noopener\">Seoul<\/a>, Pforzheim and Munich. The others tend to be galleries housed within decorative arts museums. <em>&#8220;Vicenza is the obvious place for it to be,&#8221;<\/em> says Alba Cappellieri, a former architect who now teaches jewelry design at the Milan Politecnico Design faculty. <em>&#8220;The city is Italy&#8217;s longstanding jewelry center, where most manufacturers are based \u2013 particularly chain specialists.&#8221;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>No permanent collection<\/strong><\/p>\n<p><em>&#8220;I didn&#8217;t have the colossal means you need to build up a top-quality permanent collection,&#8221;<\/em> says Alba Cappellieri. To get around the problem, she had the brilliant idea of staging two-yearly exhibitions based solely on loans. The pieces come from all over the world \u2013 from the <a href=\"https:\/\/madparis.fr\/en\" target=\"_blank\" rel=\"noopener\">Mus\u00e9e des Arts D\u00e9coratifs<\/a> in Paris, the collections of dealers like the British jeweler Faerber, private collections, and so on. <em>&#8220;This way of working means we take people by surprise: visitors come and go, but they never find the same selection. After all,&#8221;<\/em> she smiles, <em>&#8220;the <a href=\"https:\/\/thefrenchjewelrypost.com\/en\/it-joailliers\/jewellery-louvre-abu-dhabi\/\" target=\"_blank\" rel=\"noopener\">Louvre Abu Dhabi<\/a> works along the same lines, doesn&#8217;t it?&#8221;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Nine rooms; nine curators<\/strong><\/p>\n<p>Alba Cappellieri has adopted an unusual approach: the museum is divided into nine thematic rooms dedicated to Beauty, Design, Function, the Future, Fashion, Magic, Art, Design and Icons. Each one has a curator, who changes every two years. \u00a0Until the end of 2018, you will meet Glenn Adamson, director of the New York MAD, anthropologist Cristina Del Mare, designer Odo Fioraventi and <a href=\"https:\/\/thefrenchjewelrypost.com\/en\/business\/precious-ballerinas-by-van-cleef-arpels-2\/\" target=\"_blank\" rel=\"noopener\">Van Cleef &amp; Arpels<\/a> CEO Nicolas Bos. Among others, the next event will feature Pascale Lepeu, curator of the Cartier collection, and the Marzee Gallery, a contemporary jewelry specialist.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>An extraordinary visit<\/strong><\/p>\n<p>The result turns out to be arresting, alive, exciting and stunningly varied. The 400 pieces range from antique to contemporary; they might be set with diamonds or made of fabric. They could be anonymous; they could be by <a href=\"https:\/\/thefrenchjewelrypost.com\/en\/business\/rene-lalique-in-the-medusa-exhibition\/\" target=\"_blank\" rel=\"noopener\">Ren\u00e9 Lalique<\/a>, Gijs Bakker or Alexandre Calder. The Madonna&#8217;s pectoral jewelry from the Monteberico Sanctuary rubs shoulders with a contemporary crown by <a href=\"https:\/\/www.thefrenchjewelrypost.com\/en\/?p=17109\" target=\"_blank\" rel=\"noopener\">David Bielander<\/a> in gold imitating cardboard. Shawl pins from the Auvergne meet a thirties brooch by Van Cleef &amp; Arpels. In the Fashion room, the silhouette of the eccentric fashion designer Anna Piaggi keeps watch in a Dolce &amp; Gabbana necklace sporting colorful plastic charms.<\/p>\n<p>&nbsp;<\/p>\n<p>For Alba Cappellieri,<em> &#8220;a museum&#8217;s role is not only to entertain and educate but also to stimulate curiosity and open out new perspectives.&#8221;<\/em> A glittering achievement.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>You&#8217;d think there would be a plethora of museums like this one, entirely devoted to jewelry. But that&#8217;s not the case.\u00a0We talk to its founder and director Alba Cappellieri.<\/p>\n","protected":false},"featured_media":35687,"template":"","tags":[],"class_list":["post-14524","it-joailliers","type-it-joailliers","status-publish","has-post-thumbnail","hentry","marque-david-bielander-en","marque-rene-lalique-en","marque-van-cleef-arpels-en","histoire-culture-en","histoire-museum","ville-vicenza-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Vicenza&#039;s jewelry museum - The French Jewelry Post by Sandrine Merle<\/title>\n<meta name=\"description\" content=\"You&#039;d think there would be a plethora of museums like the vicuna&#039;s jewelry museum, entirely devoted to jewelry. 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